June 24, 2025

Author

Robert Tickner

Maria Montes is a Barcelona-based type designer, calligrapher, and educator known for her expressive lettering and unapologetically honest creative voice. Originally from Spain and raised on her grandmother’s influence and a deep love of typography, Maria has spent over a decade building an independent creative practice grounded in emotion, education, and integrity. Her work blends technical precision with human experience, and she is a fierce advocate for inclusion, lifelong learning, and self-awareness as the foundation of creative work.

Woman with glasses holding a can in two side-by-side poses against a plain blue background.

Interview featured at The Design Kids.


TDK: Can you tell us a little about your first few steps in your career. Was there a moment or experience when you realised this was what you’d do as a career?


My creative career started with fashion design, something I was very interested in due to my grandmother’s influence.


After my first year, I transitioned to graphic design because of my passion for typography. Creativity fulfilled my life, and since then, I’ve tried to make a living doing what I love most.



Grid of ornate gold, pink, and purple gothic-style letters on a black background.

TDK: What lessons from your career have most shaped your style and approach?


My personal and professional challenges, my environment, and my cultural background. Let’s be honest—mistakes are never welcome, but they’ve taught me a lot about myself and the context I work in.


In 2024, I celebrated 10 years as an independent creative business of one, and I wrote about eleven important lessons that have shaped my career:


  1. Sudden unemployment knocks you down, but it can also bring professional growth.
  2. Show your work publicly—you never know who’s watching.
  3. Humour and vulnerability can be powerful tools for connection.
  4. Telling your story helps others reflect on their own journeys.
  5. Everything in your career and life is connected. You may not see it in the present, but in hindsight, things often become evident.
  6. Never take good health for granted.
  7. Curiosity is a superpower for unlocking creative blocks.
  8. Diversifying income streams can be crucial to sustaining an independent creative practice.
  9. Moving constantly can be very tiring, but also addictive.
  10. Creativity isn’t static—it evolves, but you need to feed it.
  11. Create the work you want to be hired for—and the person you want to become, even if the path is unclear.




TDK: Tell us about the core values or philosophies that guide your creative practice.


My creative practice is rooted in the principles of continuous learning, sharing knowledge, and creating emotion through my work.



My values are high-quality work, communication, collaboration, transparency, respect, and trust.


TDK: What needs to change, so emerging and under-represented creative professionals have more opportunity, are seen and heard?


The white patriarchy system has to be dismantled.


As a woman and educator, I’m actively engaged by celebrating cultural diversity, supporting women in the industry, highlighting the importance of gender equality and inclusion, and by making sure we all understand that bringing more voices, colours, and underrepresented groups up on the stage can only open-up our view of the world and make us better.


In my opinion, The Design Conference Brisbane and Never Not Creative in Australiaare doing wonderful things to diversify representation in our industry.



White “Windsborn” text centered on a dark, textured background.

TDK: How important is it that creative professionals find their unique voice?


In my opinion, it’s very important. Your voice, values, interests, and background are the key ingredients that make you unique and shape your perspective in design and life. The more you understand yourself and where you come from, the better—so you can offer your unique point of difference to the world.


TDK: Looking ahead, what do you think are the key factors that will influence change for creative professionals?


Change is already here, and it’s become the only constant—especially in the last five years.


As you know, AI is changing how we work. Social media has completely transformed the way we interact with one another, and the climate crisis is forcing us to rethink our role on the planet. B-Corp certification has been trending for a while now and is becoming an important badge for businesses to reassess their practices, be environmentally conscious, and stay relevant.


“Never stop learning” has never been more relevant, in my opinion.




TDK: How much does your city influence your work?


Where I live greatly influences my work. The weather, the human density, the people, and the culture have always had a big impact on my output.



Black-and-white decorative script reading “We’re all one” with swirling floral flourishes

TDK: Tell us some of your favourite, creative professionals and inspiring places in your city!


I’m currently writing from Barcelona, a city that’s incredibly alive—culturally and creatively. There’s so much on offer here, and many of the activities are free of charge! In 2024, I curated a list called Barcelona x Graphic Designers where you can explore some of these gems.


Recently, Marta Cerdà published a new book called «Sobreviure al disseny» (Surviving Design), where she talks about the challenges of being a designer, mixed with her personal life experiences. I admire Marta deeply, and this book has brought me even closer to her work.




TDK: What should emerging creative professionals keep in mind as they begin their design career?


I mentor RMIT students, and I always recommend keeping one eye on your studies and the other on meeting people in the creative ecosystem around you. Ideally, don’t wait until a month before graduating—start building those relationships in your second or third year. Meeting people and cultivating personal relationships is still one of the strongest tools for future opportunities.


My second recommendation is: read as much as you design, have a professional LinkedIn profile, and if you have the capacity, volunteer or connect with a design organisation.


Finally, learn how to present your work. Debbie Millman has a recent talk that goes deep into this topic, and I cannot recommend it enough.

White cursive “Writing Calligraphy” on a bright blue background

TDK: Is there anything else you’d like to add?


I’ve recently published a new website called Writing Calligraphy dedicated to calligraphy and type education—feel free to check it out if you’re interested in letters and visual communication.


Lastly, the Typism Community is organising two in-person calligraphy workshops (one in Brisbane and one on the Gold Coast) in Australia. Get in touch if you’d like to be notified about the dates!


Smiling Maria Montes with glasses and dark hair in a navy polka-dot top against a turquoise wall

For over ten years, I’m the author and editor of a bi-monthly email newsletter announcing calligraphy courses, community events, type related matter and other topics which often include creative mental health and fostering women in the type and industry. Subscribe here and join my journey!

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By Robert Tickner April 15, 2026
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A white, ornate, decorative letter
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White ornamental calligraphy of the number 10 centered on a solid black background.
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Silver gothic-style wordmark reading “Tylism” on a black background
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A red circle on a black background featuring the white text
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A stylized, white serif capital letter 'C' centered against a solid black background.
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Black background with a stylized white gothic letter “2” or “Z” logo centered.
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Artistic cursive text
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A white, stylized, cursive monogram consisting of the intertwined letters
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White
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A white, stylized gothic capital letter
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White cursive monogram “Y” on a black background
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The  logo in white and pink on a black background with a gold flower-like design and swirling script
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White stylized dollar sign on a black background.
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White calligraphic letter “A” on a black background.
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New Font Released: Green Fairy is a new chromatic font family highly ornamented for display purposes.
TDC Australia event poster on black background: 9–11 May 2018, Brisbane Powerhouse.
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In the lead up to my talk, I talked to The Design Conference Brisbane and answered a few questions.
Stylized white cursive letter “T” on a black background
By Robert Tickner March 8, 2018
In honour of International Women’s Day 2018, and in solidarity with women in Spain, I want to show my face and give my support to ALL creative women out there.
Black-and-white “Type Conferences 2018 SPEAKERS” text logo on a black background
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Living in Australia is awesome but one of the toughest moments during the year is when the “type conference season” starts. If you —like me— suffer of major FOMO...
White “Scared” script with “SHITLESS” below on a black background with white leaf-like marks
By Robert Tickner September 30, 2017
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White abstract geometric logo on a black background.
By Robert Tickner May 1, 2017
The life of contemporary women is complex, multifaceted, sometimes challenging, sometimes overwhelming yet also brimming with opportunity.
Elegant white cursive letter B on a black background
By Robert Tickner December 1, 2016
In 2012 I discovered a great hidden treasure in Fitzroy North (Melbourne) called Renaissance Bookbinding.

Text on a black background reads
By Robert Tickner April 15, 2026
In April 2026, I closed a fully remote chapter, and decided to update this visual presentation with everything that I have learned since 2022 —which is a lot!
The word
By Robert Tickner March 30, 2026
My seven-year-old grandson sleeps just down the hall from me, and he wakes up a lot of mornings and he says, “You know, this could be the best day ever.”
A stylized, white-line decorative letter
By Robert Tickner March 30, 2026
This article is an ongoing resource of fonts designed by women, as well as supporting material to learn more about female and non-binary graphic & type designers.
A stylized, white, cursive capital letter
By Robert Tickner March 29, 2026
Barcelona for graphic designers is my on-going list of resources for any creative visiting this city for the first time(s). Every recommendation is only personal, and it comes with its location and a hyperlink to their website, Google map or Instagram account.
A white, stylized logo of the word
By Robert Tickner March 9, 2026
I’m writing to you from Vietnam today. This is my fourth time in this country, and somehow it feels like the first time I’m actually seeing it.
Kanat Latin Ultra T
By Robert Tickner June 1, 2025
I’m really excited to share with you my second large project of 2025 called Kanat Latin! I’ve been developing this font for several months, and it wouldn’t have been possible without the trust and support of Lara Captan from Ama Foundry and my type mentor Jose Manuel Urós from Type-O-Tones.
A white, ornate, decorative letter
By Robert Tickner May 5, 2025
The title of this monthly newsletter comes from Charli XCX, an artist who has given me a lot of the above over the past six months.
White ornamental calligraphy of the number 10 centered on a solid black background.
By Robert Tickner November 1, 2024
It’s November 2024, and I’m writing this article to celebrate my own 10th anniversary as an independent creative business of one.
Silver gothic-style wordmark reading “Tylism” on a black background
By Robert Tickner July 30, 2024
Recently, the Typism Community asked me a few questions about my lettering and design practice, and here are my insights.
A red circle on a black background featuring the white text
By Robert Tickner April 1, 2024
I’m really happy to share with you that the TDC 70 Type Directors Club has awarded my Calligraphic editorial for Middlebury Magazine commissioned by Pentagram.